Screen curtain movie#

The worldwide earnings of “Spider-Man: No Way Home”, “Top Gun: Maverick” and “Elvis”, which were watched on screen and where the mass of magic and admiration peaked, confirms this. It is no exaggeration to say that the importance of cinema is better understood for us, who are isolated and closed off by the pandemic. And of course, with the right projection, no one can see anyone via cell phone, talking, etc.

Screen curtain movie#

In other words, it is a TV series to be watched at home.Īfter all, a good movie is watched on the big screen of the big screen, sharing that excitement and reaction collectively.

Platforms make the difference with series packs rather than movie productions. The main difference from the old one is the increase in the quality of the series. The platforms have returned to the meeting point of those who returned to their originality and missed the films from the vision. Of course the good ones stand out, but the fact is that this fast production cannot increase the quality as expected. We live in a process where almost every star and master director works on digital and these works compete for prestigious awards. In our country, our filmmakers shot their films for digital, they didn’t release their films, which won prizes from festivals, but showed them digitally. Previously, this situation was described as an oasis that gave more pleasure to those who evaluated original ideas, offered the opportunity to reach more people at more affordable prices, and had a well-equipped monitoring system at home. After that, the pandemic exploded and almost all moviegoers had to be content with the blessings of the digital world.

Meanwhile, filmmakers, especially Spielberg, raised their voices, calling for the exclusion of digital platform films from the Oscar and festival race. The year before the pandemic, the digital platform film “Roma” won the Best Picture Oscar, while the great master Martin Scorsese realized his three and a half hour masterpiece “The Irishman”, which he could not approve of the studio bosses, with the wide possibilities that the digital platform offers. In that regard, 2019 stands out as the decisive year. The content, which was limited to the screenings of the productions and classics that came after the vision, has recently switched to original productions. Especially since the pandemic, one of the cinema’s rivals has grown stronger and “Does the cinema kill?” started asking the question: Digital platforms.ĭigital platforms have become a savior as the pandemic has locked almost the entire world at home and closed cinemas. The cinema managed to get out of every obstacle with a clear brow and with its audience. It was said, “No one goes to the cinema anymore when they have the shot in hand”. It was said that “the pleasure of watching movies in comfort at home by stretching your feet kills the cinema”. Alternatives were also fortified during this time. Cinema went from silent to sound, from black and white to colour. Chaplin was one of the first to object to the use of sound in cinema. MÜJDE IŞIL-The Lumière brothers, who made audiences feel the cinematic effect deeply in the first on-screen showing they made at the entrance of the train to the station, thought their invention would be a fun short-term trend, and didn’t think it would would evolve into the seventh art.